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The following is a personal and subjective impression.
A Personal Memory of the 'Urus* of Hazrat Mevlana Jalaluddin Rumi in Konya (May Allah
ever bless him)
(*also called 'Urs, or in Konya the 'Festival')
December 9th - 17th 2001
The 'festival' celebrations of the death anniversary of Mevlana Jalaluddin Rumi in
Konya, Turkey, attracted, as ever, throngs of people from around the world to enjoy
his hospitality and to receive the blessings of the saint so beloved of God.
Unusually, on this occasion I was accompanied by my wife Farhana - and at the last
moment by Safraz Elvy, a person much fond of Zahurmian, who travelled with us.
I have been asked by Mohammed Siraj of Holland to write in more detail of the
festival - so I have expanded my usual brief report to satisfy his curiosity and
enthusiastic interest and perhaps that of others. Hopefully it will convey a subjective
impression.
Konya is a town of about a million inhabitants in Anatolia, Central Turkey. It stretches
over an extensive area, and now that the main bus terminal is relocated towards the
edge we were suprised by length of the ride into the centre in the minibus provided
by the coach company. Our arrival at the Hotel Dergah allowed us our first glimpse of
the shrine which is situated diagonally opposite the Hotel. It looked inspiring and
welcoming in the cold early morning.
Once settled in the hotel we rested a short while and were then able to make our
way along the main Caddesi, past the array of interesting carpet shop, past the
banks and the underground gold jewelry shops, the Hamam (Turkish Baths) and a
beautiful ancient mosque, to the shrine of Hazrat Shemsuddin of Tabriz, in order to
make our respectful Selams (as the Turks spell it).
Hazrat Shems shrine is located in what used to be a Sema-Hane (room for
performance of the whirling dervish dance) and is now a mosque. As far as I can
understand from old photographs the facade of the building is relatively new. Their is
a pleasant garden around it that once used to be a graveyard.
Inside the atmosphere is calm and reverential. The shrine is immediately ahead as
one enters the door. The tomb is covered by a green cloth cover and surmounted by
a large turban in the Mevlevi style. It is on a raised platform. During our many visits
over the period of the 'Urus the shrine frequently became busy as many visitors
poured in - but it never lost its atmosphere of calm and peace. There is a place for
ladies to offer Namaz upstairs and having offered her fatiha for Hazrat Shems,
Farhana did not delay in also offering her Namaz there. The hall is maintained by a
caretaker and as I am a frequent visitor later on in the stay he showed the usual
Turkish hospitality - inviting me in to his small room for a cup of tea and an attempt at
conversation using my few Turkish words and bits of other languages.
After that we were free to make our way back to the hotel and thence to visit
Mevlana's shrine to pay our respects. On the way we bumped into old friends such
as Abdullah our English speaking taxi driver friend and Tahir who owns a small shop.
Having visited a number of times now it is always pleasant to meet again familiar
faces and warm hearts.
For the first time this year the shrine, which is officially designated as a museum
requiring admission payment, was free for entry during the ten days of the Festival,
which is a magnanimous and much appreciated show of respect by the government
agency.
Passing across the marble courtyard, overlooked by the distinctive turquoise tiled
dome and an impressive minaret, and leaving ones shoes at the appropriate place,
one comes to the main entry through magnificent large double doors. Beyond a small
vestibule previously used for Qur'anic recitation and now housing notable examples
of calligraphy, is the main shrine room. On the right hand side there are numerous
(65 according to the guide book) shrines raised two or three feet above the floor
level and fenced and cordoned off. Each grave of the male Mevlevi successors is
marked with the traditional Mevlevi head dress distinguishing them from the wives
and daughters also buried there. Passing by these reverentially at the far end of the
magnificently decorated high room , set back a little, one comes across the largest,
most magnificent, and sumptuously decorated shrine of Mevlana himself. It is
distinguished by appearing to have two turbans. In fact the shrine of Mevlana's son
and the successor of Hussamuddin Chelebi , Sultan Veled is also there.
Most of the time a recording of sonorous Mevlevi music is played.
In front of the shrine there is a 'silver screen' and also a marble screen. Below these
there is a silver plated step on which the followers and lover's of Mevlana used to rub
their forehead and kiss. This is now cordoned off but is opened for this purpose at
the time of the 'Dua Torreni' on the 17th December.
It might be appropriate here to point out that though Mevlana Rumi is generally
known in the west simply by the epithet Rumi (which means Anatolian) or in the east
as Maulana Rumi, in Turkey he is universally referred to as Mevlana (the Turkish
spelling of Maulana - which means 'Our Master'). Of course he has a number of other
epithets such as 'Sultan of the Ulemas'.
Though there are normally many visitors and guided tours, the lovers of Mevlana and
those with intentions of pilgrimage stop and make reverential fatiha and prayers.
Having made fatiha and paid our reverential respects to Mevlana on this occasion
we also turned to do same for the other souls whose graves lie therein.
On the left side one notices some separate graves similarly marked by turbans.
According to legend these are shrines for soldiers who accompanied Mevlana and
his father from Balkh.
There are two further accessible rooms inside the shrine complex . These were later
additions - one a semahana (Samakhana to those more familiar with Indian spelling)
where the Sema or whirling dance took place and the other a Mosque. There are
numerous exhibits of interest including early copies of the Qur'an and Mesnevi, and
prayer carpets, the head dress of Shemsuddin Tabrizi and a casket containing a hair
from the beard of the holy Prophet himself. There is also a gigantic tasbih.
Having taken our leave of Mevlana we exited to the courtyard and I went to sit on a
favourite seat whilst Farhana had some other business - almost immediately I met a
young Turkish student with whom I had been in prolonged e-mail contact over her
thesis. We had said we hoped to meet at some point during our visit and there she
was already - but in Konya especially at festival time one learns to accept such
'chance' meetings. Perhaps it is something to do with dynamic meeting of Shems and
Mevlana that makes this a time and place of meetings, some of them reverberating in
significance beyond their brevity.
In the courtyard there is a small pool known as the wedding night pool and also an
ornate fountain.
Following this I went to visit the shrine of Hazrat Nuri Baba or Hajji Baba as he is
frequently known in Konya. He is buried in the very large cemetery opposite the
shrine of Mevlana. It was due to an uwaisi contact with him that I first came to Konya.
My meetings with him were brief and lasted over a period of two years but I had
come to love and respect him as a true sufi Sheykh and Guide and like Zahurmian
he remains with me.
Though I normally visit the other shrines in Konya by Dolmisch (Turkish minibus) or
even by foot, Farhana currently suffers from difficulty in walking far due to a bad leg
so we arranged with my friend Abdullah to take us in his taxi for 'ziyarat'. We visited
the shrine of Sadreduddin Konevi which is attached to a small Mosque. Sadreduddin
was a disciple of Sheykh ul-Akbar' Hazrat ibn Arabi and he was a contemporary of
Mevlana. His shrine is situated just off of the main commercial centre of the city.
Following this we also visited the shrine of Yusuf Atesh-Baz Veli situated off the main
road leading to Mehram and discovered that there had been renovation work
recently unearthing the lower part of the shrine. Atesh means 'fire' and the main story
associated with this disciple and cook of Mevlana is that, hearing of the approach of
Mevlana, he hurried to prepare food. Finding himself short of firewood he put his own
foot in the fire to burn. He was miraculously unharmed by this except for a burn to the
toe. Feeling guilty at this as evidencing an imperfection in his faith he attempted to
hide the toe from Mevlana by covering with the other foot. This it is said is the origin
of the custom of the the Mevlevi's placing one foot over the other when making a
ritual bow. with the arms crossed. It is traditional to take a little salt when visiting.
We moved on through the delightful orchards to Mehram a beautiful wooded hill
about 7 miles from the Konya centre. It was favourite place of Mevlana and boasts,
as well as a delightful stream and water wheel, an ancient Hamam (Turkish Bath)
that has been converted into a restaurant. We visited the shrine of Tavus Baba who
may in fact have been a women (and therefore 'Tavus Ana'). we also visited the
shrine of Cemaluddin (Jamaluddin) nearby.
Our visit was during Ramadhan and Abdullah invited us to his family home to partake
of the Iftar meal for breaking the fast. We also met Turkish lady currently living in
America, and her son. We had enjoyable conversations on topics of therapy, the use
of music etc. Abdullah's parents, wife, sisters and his children were so hospitable to
us - plying us with delicious Turkish food. Though it was Farhana's first time in
Turkey she was soon made to feel at home. We also paid our respects at the shrine
of the doctor of Mevlana situated within a few yards of Abdullah's flat.
The pattern during the days that followed was of a visit to the shrine of Shems in the
morning - allowing opportunity for peaceful contemplation, followed by visiting the
many other sites of interest and then a visit to Mevlana's shrine in the afternoon.
New to me was a colourful recent erection to mark the actual spot where
Shemsuddin of Tabriz and Mevlana are thought to have had their first memorable
meeting.
Following this we went to the Dergah of Nuri Baba where Ali Baba, his successor,
greeted us warmly. We partook of the Iftar with a huge variety of people from - it
seemed - most corners of the globe. Some were well known faces and others were
newcomers I had not met before. The traditions of the Konyan sufis is to sit on the
floor around raised huge metal trays as large as big tables. There are no separate
plates but we all dip into the various dishes amongst which plates of steaming pizza,
meat and rice etc. were memorable. Following the food we placed our hands on the
circular tray and took part in a brief Zhikr - La-ilaha ilallah, followed by Ilallaah,
followed by Allah and culminating in Hu. This was completed by Qur'anic recital and
Fatiha. Following the Namaz (ritual prayer), tea was served in the small glasses as is
the Turkish custom. Then there was playing of the Ney and other instruments such
as the large kuddum (drum). People with musical knowledge reading this will I hope
forgive my lack of technical expertise in describing the music making. Verses in
Turkish were sung and some at least were the verses of Yunus Emre. Zhikr seemed
to merge in with this and would soon become quite vigorous. At certain points people
would make respectful bows to the photo of Nuri Baba and to Ali Baba and then
begin to 'turn' or whirl in the Mevlevi fashion. The Zhikr often became so vigorous
that small towels were distributed to the participants to remove the sweat.
Though the Zhikr continued till eleven pm or later most evenings, Farhana and I left
before 8pm to catch the main performance of Sema that took place in the large
sports stadium about three kilometers from Mevlana's tomb. The usual programmes
were a little altered as the festival coincided with the end of Ramadan and the
celebration of Eid (Bayram) which took place just the day before the Seb-i-Urus (the
Night of Union). Nevertheless we managed to attend this four times during the
festival period.
The actual performance of the full Sema ritual was preceded by a music recitation
involving a music ensemble and choir. The songs, though in Turkish, contained
praises of Allah, His Prophet and Mevlana and Shems that were recognisable. There
was a formal introduction in English and Turkish and a brief theatrical demonstration
of the influence of Mevlana and the Sufis on the culture and learning of Turkey.
The main event is of breathtaking beauty and grace that quite make one forget the
'culturalisation' or even commercialisation of what is essentially a spiritual ritual.
There are accounts of the exact implications of the various parts of the ritual that I
will not duplicate here but would be happy to pass on to anyone interested. From my
point of view it was both exactly the same each time and also entirely different. To
me it spoke of many things including Fana and Baqa.
This year the happy event of Eid-ul-fitr came just two days before the 'Night of Union'
so the occasions almost seemed to run into one another. I attended the Eid prayers
in the large 16th century Selimye Mosque. it was a matter of surprise to me that the
custom of embracing after the Eidgarh prayers was not followed as it is in the
subcontinent of India. and in England.
The high point and focus of interest is of course the 17th December itself. During the
afternoon the throngs of people entering the shrine of Mevlana increases to the point
that it is no longer possible for much movement. All the space inside becomes full
and I suspect there are people outside too. These are generally not disinterested
tourists but Mevlana lovers. At the foot of the shrine Qur'anic recital and prayers
including Fatiha are said. This lasts for perhaps twenty minutes. Once the leaders of
this have completed the ritual and the descendants of Mevlana have kissed the silver
plated step then the public are allowed to do the likewise.
In the evening the last Sema is held at the sports hall and this televised event is
much sought after and tickets almost impossible to get. The atmosphere is, so to
say, supercharged and the performance of great power.
I think many people attending from outside will share the feeling of great love and
sociability that the festival exudes and which is attributable to the divinely inspired
Master and Sheykh, the exemplar of the Sufis and the inspiration of lovers, - I mean
of course Hazrat Mevlana Jelaluddin Muhammed bin Muhammed al-Balkhi al-Rumi -
may Almighty God bless him and his descendants and followers.
Staying a few yards down the corridor from us were two of the blood descendants of
Mevlana and it was a great honour for us when the Hotel manager, Ramadhan
invited us into his office to meet them. And how can I forget meeting Kevin (Karim)
from England who has been visiting Konya for the past twenty years who carries with
him the inner serenity so typical of the Mevlevis.
I have only touched lightly on the many meetings, inspired talk and moving music and
the many 'little miracles' as Safraz described them, that seem to occur in an
atmosphere as difficult to define and yet as palpable as sweetness in sugar.
To the sufis the reality of the presence of the great Sheykh and his survival beyond
death goes beyond the merely spiritual.
Following the great night of course people soon began to leave - I believe there is a
poem of Saadi which says:
'The musicians left and the Sufis are absorbed in music still,
Love has a beginning but no end can there ever be.'
As is customary with me we stayed on, enjoying the atmosphere, taking opportunities
to explore other aspects of Konya and Turkish life. A visit to the local academy of fine
arts for a lesson in calligraphic excellence and many surprising insights into Turkish
life and culture for me - including a visit to a therapy centre - and opportunity to visit
the many excellent local jewelers for Farhana. Gold smithing was a tradition in Konya
at the time of Mevlana and Farhana was impressed by the extensive underground
market that had only shops selling gold jewelry! And of course there are always the
ubiquitous and wonderful carpet shops with their splendid kilims, and carpets.
A meal at a new restaurant adjacent to Mevlana's shrine as the guests of Dr Nermin
who Farhana had befriended at the Dergah of Nuri Baba. A visit to their impeccably
clean and refined house showed me a side of Turkish life I had not seen before and
gave a chance for discussions with an Iranian war reporter.
A final evening of farewells at the Dergah with the promise of renewed meetings next
year the opportunity to thank effusively Ali Baba and the members of the order for
their overwhelming hospitality and courtesy which never fails to impress and delight.
Another visit to Abdullah's house for an excellent meal and the delightful company of
his family was included.
People from so many countries (there were more than 300 people from Iran alone, 60
from Bulgaria) had a chance to share the culture of love and joy in various ways that
reverberate from the intense love of Mevlana. For all the events we did manage to
attend there were of course many we could not.
The Turkish people of Konya (Konyadan) showed their gracious hospitality in so
many ways that one can hardly thank them enough for the grace and culture, civility
and good manners. When the train with our comfortable couchette, so kindly
arranged by Abdullah, pulled out of Konya station we knew we had been more than
blessed.
Jamiluddin Morris Zahuri
Southampton
January 1st 2001
Postscript: A number of people showed a surprising interest in the above impression. I have been
asked about the 'Turning' of the Mevlevi I will add this short note.
I do not have first hand experience of the effect of 'turning' as practised by the Mevlevi sufis other
than as a spectator but I am not unfamiliar with the ecstatic 'dance' in the Chishti Order so I will
offer the following comparison.
The discipline required to to prepare oneself for the ecstatic whirling amongst the Chisht Sufis is
that of utmost restraint. The music of the Qwaal is particularly intense and enthusiastic and it is
demanded of one that one yield inwardly to the fervour of the music and verse and at the same
time resist the impulse to move or demonstrate enthusiasm outwardly. Discipline is maintained
even by physical prompts from those assigned this task. At a certain point when time and
circumstance and conditions seem to conspire this resistance is swept aside and the devotee no
longer has control of his own movements. This results in a sudden and intense turning of the body
in which the individual takes no conscious part. It frequently only lasts a minute or less and is
terminated by the body being flung to the ground. At this time the other Sufis stand. If or when any
sign of conscious volition on the part of the sufi concerned is detected the dance or attempted
dance is terminated. This hal (state) is credited to the perfection of the spiritual guide of the one
experiencing it. Those experienced in such states know that it can be manifest in different ways
from the one described.
Amongst the Mevlevi, as I understand it, turning is taught even to youngsters as a skill to be
practiced with quite distinct steps and of course the full Sema as performed in Konya is a
complete ritual by no means limited to the turning. However turning is also practised to the
accompaniment of Zhikr and music in the smaller gatherings. During the festival at least I have
observed considerable tolerance by the sufis of people especially non-Turks 'having a go' at this. I
do not suppose that this occurs necessarily at other times but it may do. Certainly the Zhikr
accompanying this is energetic and arousing.
Looking however at the formal ritual as presented in the main Sema in the spor salonu at Konya I
am struck by what appears to me a different approach to the Hal (state). the music is solemn and
stately by comparison with the frenetic energy of the qwaals of India and Pakistan , or even the
Zhikr in smaller gatherings in Turkey. It seems to me that the dancers too may be searching for hal
but in this case it is preceded by the turning and it is perfect turning, or rather the grace that brings
about the hal of perfect turning, that is sought. Since any change of state is not manifested
outwardly as different from the turning of all others it is perhaps reasonable to assume that the hal
is essentially inward. Presumably the discipline lies precisely in maintaining the turning whilst the
state descends.
Zahurmian is reported to have said that the Mevlevi dance was founded on the 'turning' or moving
around of Mevlana during the inspiration when receiving the Mesnevi.
I can only think that as with the Chishti 'turning' the discipline is necessary as a vehicle but is left
behind when the sufi reaches the goal, and that there is no mechanistic relationship between the
discipline and the goal. One may turn for a lifetime and never really know the turning.
It may also be worth reflecting that such states are anyway far from being the goal of sufism and
may be considered as simply being a byproduct. I do not think it is helpful, and indeed it may be a
hindrance, to concentrate much on such things.
However by way of a footnote to this postscript it may be worth pointing out that there is a branch of
modern therapy known as 'sensory integration' which posits that there is a part of the mid-brain
(the deepest and most primitive part of the central nervous system) that is linked to vestibular
stimulation - which incorporates circular spinning. Certainly there are people with learning
disabilities/ intellectual handicaps, and also some children, who avidly seek this particular type of
stimulation. But that, and its relationship to sufi turning, is, so speak, an article waiting to be written.
JMZ
Published by The Zahuri Sufi Web Site January 2002
ever bless him)
(*also called 'Urs, or in Konya the 'Festival')
December 9th - 17th 2001
The 'festival' celebrations of the death anniversary of Mevlana Jalaluddin Rumi in
Konya, Turkey, attracted, as ever, throngs of people from around the world to enjoy
his hospitality and to receive the blessings of the saint so beloved of God.
Unusually, on this occasion I was accompanied by my wife Farhana - and at the last
moment by Safraz Elvy, a person much fond of Zahurmian, who travelled with us.
I have been asked by Mohammed Siraj of Holland to write in more detail of the
festival - so I have expanded my usual brief report to satisfy his curiosity and
enthusiastic interest and perhaps that of others. Hopefully it will convey a subjective
impression.
Konya is a town of about a million inhabitants in Anatolia, Central Turkey. It stretches
over an extensive area, and now that the main bus terminal is relocated towards the
edge we were suprised by length of the ride into the centre in the minibus provided
by the coach company. Our arrival at the Hotel Dergah allowed us our first glimpse of
the shrine which is situated diagonally opposite the Hotel. It looked inspiring and
welcoming in the cold early morning.
Once settled in the hotel we rested a short while and were then able to make our
way along the main Caddesi, past the array of interesting carpet shop, past the
banks and the underground gold jewelry shops, the Hamam (Turkish Baths) and a
beautiful ancient mosque, to the shrine of Hazrat Shemsuddin of Tabriz, in order to
make our respectful Selams (as the Turks spell it).
Hazrat Shems shrine is located in what used to be a Sema-Hane (room for
performance of the whirling dervish dance) and is now a mosque. As far as I can
understand from old photographs the facade of the building is relatively new. Their is
a pleasant garden around it that once used to be a graveyard.
Inside the atmosphere is calm and reverential. The shrine is immediately ahead as
one enters the door. The tomb is covered by a green cloth cover and surmounted by
a large turban in the Mevlevi style. It is on a raised platform. During our many visits
over the period of the 'Urus the shrine frequently became busy as many visitors
poured in - but it never lost its atmosphere of calm and peace. There is a place for
ladies to offer Namaz upstairs and having offered her fatiha for Hazrat Shems,
Farhana did not delay in also offering her Namaz there. The hall is maintained by a
caretaker and as I am a frequent visitor later on in the stay he showed the usual
Turkish hospitality - inviting me in to his small room for a cup of tea and an attempt at
conversation using my few Turkish words and bits of other languages.
After that we were free to make our way back to the hotel and thence to visit
Mevlana's shrine to pay our respects. On the way we bumped into old friends such
as Abdullah our English speaking taxi driver friend and Tahir who owns a small shop.
Having visited a number of times now it is always pleasant to meet again familiar
faces and warm hearts.
For the first time this year the shrine, which is officially designated as a museum
requiring admission payment, was free for entry during the ten days of the Festival,
which is a magnanimous and much appreciated show of respect by the government
agency.
Passing across the marble courtyard, overlooked by the distinctive turquoise tiled
dome and an impressive minaret, and leaving ones shoes at the appropriate place,
one comes to the main entry through magnificent large double doors. Beyond a small
vestibule previously used for Qur'anic recitation and now housing notable examples
of calligraphy, is the main shrine room. On the right hand side there are numerous
(65 according to the guide book) shrines raised two or three feet above the floor
level and fenced and cordoned off. Each grave of the male Mevlevi successors is
marked with the traditional Mevlevi head dress distinguishing them from the wives
and daughters also buried there. Passing by these reverentially at the far end of the
magnificently decorated high room , set back a little, one comes across the largest,
most magnificent, and sumptuously decorated shrine of Mevlana himself. It is
distinguished by appearing to have two turbans. In fact the shrine of Mevlana's son
and the successor of Hussamuddin Chelebi , Sultan Veled is also there.
Most of the time a recording of sonorous Mevlevi music is played.
In front of the shrine there is a 'silver screen' and also a marble screen. Below these
there is a silver plated step on which the followers and lover's of Mevlana used to rub
their forehead and kiss. This is now cordoned off but is opened for this purpose at
the time of the 'Dua Torreni' on the 17th December.
It might be appropriate here to point out that though Mevlana Rumi is generally
known in the west simply by the epithet Rumi (which means Anatolian) or in the east
as Maulana Rumi, in Turkey he is universally referred to as Mevlana (the Turkish
spelling of Maulana - which means 'Our Master'). Of course he has a number of other
epithets such as 'Sultan of the Ulemas'.
Though there are normally many visitors and guided tours, the lovers of Mevlana and
those with intentions of pilgrimage stop and make reverential fatiha and prayers.
Having made fatiha and paid our reverential respects to Mevlana on this occasion
we also turned to do same for the other souls whose graves lie therein.
On the left side one notices some separate graves similarly marked by turbans.
According to legend these are shrines for soldiers who accompanied Mevlana and
his father from Balkh.
There are two further accessible rooms inside the shrine complex . These were later
additions - one a semahana (Samakhana to those more familiar with Indian spelling)
where the Sema or whirling dance took place and the other a Mosque. There are
numerous exhibits of interest including early copies of the Qur'an and Mesnevi, and
prayer carpets, the head dress of Shemsuddin Tabrizi and a casket containing a hair
from the beard of the holy Prophet himself. There is also a gigantic tasbih.
Having taken our leave of Mevlana we exited to the courtyard and I went to sit on a
favourite seat whilst Farhana had some other business - almost immediately I met a
young Turkish student with whom I had been in prolonged e-mail contact over her
thesis. We had said we hoped to meet at some point during our visit and there she
was already - but in Konya especially at festival time one learns to accept such
'chance' meetings. Perhaps it is something to do with dynamic meeting of Shems and
Mevlana that makes this a time and place of meetings, some of them reverberating in
significance beyond their brevity.
In the courtyard there is a small pool known as the wedding night pool and also an
ornate fountain.
Following this I went to visit the shrine of Hazrat Nuri Baba or Hajji Baba as he is
frequently known in Konya. He is buried in the very large cemetery opposite the
shrine of Mevlana. It was due to an uwaisi contact with him that I first came to Konya.
My meetings with him were brief and lasted over a period of two years but I had
come to love and respect him as a true sufi Sheykh and Guide and like Zahurmian
he remains with me.
Though I normally visit the other shrines in Konya by Dolmisch (Turkish minibus) or
even by foot, Farhana currently suffers from difficulty in walking far due to a bad leg
so we arranged with my friend Abdullah to take us in his taxi for 'ziyarat'. We visited
the shrine of Sadreduddin Konevi which is attached to a small Mosque. Sadreduddin
was a disciple of Sheykh ul-Akbar' Hazrat ibn Arabi and he was a contemporary of
Mevlana. His shrine is situated just off of the main commercial centre of the city.
Following this we also visited the shrine of Yusuf Atesh-Baz Veli situated off the main
road leading to Mehram and discovered that there had been renovation work
recently unearthing the lower part of the shrine. Atesh means 'fire' and the main story
associated with this disciple and cook of Mevlana is that, hearing of the approach of
Mevlana, he hurried to prepare food. Finding himself short of firewood he put his own
foot in the fire to burn. He was miraculously unharmed by this except for a burn to the
toe. Feeling guilty at this as evidencing an imperfection in his faith he attempted to
hide the toe from Mevlana by covering with the other foot. This it is said is the origin
of the custom of the the Mevlevi's placing one foot over the other when making a
ritual bow. with the arms crossed. It is traditional to take a little salt when visiting.
We moved on through the delightful orchards to Mehram a beautiful wooded hill
about 7 miles from the Konya centre. It was favourite place of Mevlana and boasts,
as well as a delightful stream and water wheel, an ancient Hamam (Turkish Bath)
that has been converted into a restaurant. We visited the shrine of Tavus Baba who
may in fact have been a women (and therefore 'Tavus Ana'). we also visited the
shrine of Cemaluddin (Jamaluddin) nearby.
Our visit was during Ramadhan and Abdullah invited us to his family home to partake
of the Iftar meal for breaking the fast. We also met Turkish lady currently living in
America, and her son. We had enjoyable conversations on topics of therapy, the use
of music etc. Abdullah's parents, wife, sisters and his children were so hospitable to
us - plying us with delicious Turkish food. Though it was Farhana's first time in
Turkey she was soon made to feel at home. We also paid our respects at the shrine
of the doctor of Mevlana situated within a few yards of Abdullah's flat.
The pattern during the days that followed was of a visit to the shrine of Shems in the
morning - allowing opportunity for peaceful contemplation, followed by visiting the
many other sites of interest and then a visit to Mevlana's shrine in the afternoon.
New to me was a colourful recent erection to mark the actual spot where
Shemsuddin of Tabriz and Mevlana are thought to have had their first memorable
meeting.
Following this we went to the Dergah of Nuri Baba where Ali Baba, his successor,
greeted us warmly. We partook of the Iftar with a huge variety of people from - it
seemed - most corners of the globe. Some were well known faces and others were
newcomers I had not met before. The traditions of the Konyan sufis is to sit on the
floor around raised huge metal trays as large as big tables. There are no separate
plates but we all dip into the various dishes amongst which plates of steaming pizza,
meat and rice etc. were memorable. Following the food we placed our hands on the
circular tray and took part in a brief Zhikr - La-ilaha ilallah, followed by Ilallaah,
followed by Allah and culminating in Hu. This was completed by Qur'anic recital and
Fatiha. Following the Namaz (ritual prayer), tea was served in the small glasses as is
the Turkish custom. Then there was playing of the Ney and other instruments such
as the large kuddum (drum). People with musical knowledge reading this will I hope
forgive my lack of technical expertise in describing the music making. Verses in
Turkish were sung and some at least were the verses of Yunus Emre. Zhikr seemed
to merge in with this and would soon become quite vigorous. At certain points people
would make respectful bows to the photo of Nuri Baba and to Ali Baba and then
begin to 'turn' or whirl in the Mevlevi fashion. The Zhikr often became so vigorous
that small towels were distributed to the participants to remove the sweat.
Though the Zhikr continued till eleven pm or later most evenings, Farhana and I left
before 8pm to catch the main performance of Sema that took place in the large
sports stadium about three kilometers from Mevlana's tomb. The usual programmes
were a little altered as the festival coincided with the end of Ramadan and the
celebration of Eid (Bayram) which took place just the day before the Seb-i-Urus (the
Night of Union). Nevertheless we managed to attend this four times during the
festival period.
The actual performance of the full Sema ritual was preceded by a music recitation
involving a music ensemble and choir. The songs, though in Turkish, contained
praises of Allah, His Prophet and Mevlana and Shems that were recognisable. There
was a formal introduction in English and Turkish and a brief theatrical demonstration
of the influence of Mevlana and the Sufis on the culture and learning of Turkey.
The main event is of breathtaking beauty and grace that quite make one forget the
'culturalisation' or even commercialisation of what is essentially a spiritual ritual.
There are accounts of the exact implications of the various parts of the ritual that I
will not duplicate here but would be happy to pass on to anyone interested. From my
point of view it was both exactly the same each time and also entirely different. To
me it spoke of many things including Fana and Baqa.
This year the happy event of Eid-ul-fitr came just two days before the 'Night of Union'
so the occasions almost seemed to run into one another. I attended the Eid prayers
in the large 16th century Selimye Mosque. it was a matter of surprise to me that the
custom of embracing after the Eidgarh prayers was not followed as it is in the
subcontinent of India. and in England.
The high point and focus of interest is of course the 17th December itself. During the
afternoon the throngs of people entering the shrine of Mevlana increases to the point
that it is no longer possible for much movement. All the space inside becomes full
and I suspect there are people outside too. These are generally not disinterested
tourists but Mevlana lovers. At the foot of the shrine Qur'anic recital and prayers
including Fatiha are said. This lasts for perhaps twenty minutes. Once the leaders of
this have completed the ritual and the descendants of Mevlana have kissed the silver
plated step then the public are allowed to do the likewise.
In the evening the last Sema is held at the sports hall and this televised event is
much sought after and tickets almost impossible to get. The atmosphere is, so to
say, supercharged and the performance of great power.
I think many people attending from outside will share the feeling of great love and
sociability that the festival exudes and which is attributable to the divinely inspired
Master and Sheykh, the exemplar of the Sufis and the inspiration of lovers, - I mean
of course Hazrat Mevlana Jelaluddin Muhammed bin Muhammed al-Balkhi al-Rumi -
may Almighty God bless him and his descendants and followers.
Staying a few yards down the corridor from us were two of the blood descendants of
Mevlana and it was a great honour for us when the Hotel manager, Ramadhan
invited us into his office to meet them. And how can I forget meeting Kevin (Karim)
from England who has been visiting Konya for the past twenty years who carries with
him the inner serenity so typical of the Mevlevis.
I have only touched lightly on the many meetings, inspired talk and moving music and
the many 'little miracles' as Safraz described them, that seem to occur in an
atmosphere as difficult to define and yet as palpable as sweetness in sugar.
To the sufis the reality of the presence of the great Sheykh and his survival beyond
death goes beyond the merely spiritual.
Following the great night of course people soon began to leave - I believe there is a
poem of Saadi which says:
'The musicians left and the Sufis are absorbed in music still,
Love has a beginning but no end can there ever be.'
As is customary with me we stayed on, enjoying the atmosphere, taking opportunities
to explore other aspects of Konya and Turkish life. A visit to the local academy of fine
arts for a lesson in calligraphic excellence and many surprising insights into Turkish
life and culture for me - including a visit to a therapy centre - and opportunity to visit
the many excellent local jewelers for Farhana. Gold smithing was a tradition in Konya
at the time of Mevlana and Farhana was impressed by the extensive underground
market that had only shops selling gold jewelry! And of course there are always the
ubiquitous and wonderful carpet shops with their splendid kilims, and carpets.
A meal at a new restaurant adjacent to Mevlana's shrine as the guests of Dr Nermin
who Farhana had befriended at the Dergah of Nuri Baba. A visit to their impeccably
clean and refined house showed me a side of Turkish life I had not seen before and
gave a chance for discussions with an Iranian war reporter.
A final evening of farewells at the Dergah with the promise of renewed meetings next
year the opportunity to thank effusively Ali Baba and the members of the order for
their overwhelming hospitality and courtesy which never fails to impress and delight.
Another visit to Abdullah's house for an excellent meal and the delightful company of
his family was included.
People from so many countries (there were more than 300 people from Iran alone, 60
from Bulgaria) had a chance to share the culture of love and joy in various ways that
reverberate from the intense love of Mevlana. For all the events we did manage to
attend there were of course many we could not.
The Turkish people of Konya (Konyadan) showed their gracious hospitality in so
many ways that one can hardly thank them enough for the grace and culture, civility
and good manners. When the train with our comfortable couchette, so kindly
arranged by Abdullah, pulled out of Konya station we knew we had been more than
blessed.
Jamiluddin Morris Zahuri
Southampton
January 1st 2001
Postscript: A number of people showed a surprising interest in the above impression. I have been
asked about the 'Turning' of the Mevlevi I will add this short note.
I do not have first hand experience of the effect of 'turning' as practised by the Mevlevi sufis other
than as a spectator but I am not unfamiliar with the ecstatic 'dance' in the Chishti Order so I will
offer the following comparison.
The discipline required to to prepare oneself for the ecstatic whirling amongst the Chisht Sufis is
that of utmost restraint. The music of the Qwaal is particularly intense and enthusiastic and it is
demanded of one that one yield inwardly to the fervour of the music and verse and at the same
time resist the impulse to move or demonstrate enthusiasm outwardly. Discipline is maintained
even by physical prompts from those assigned this task. At a certain point when time and
circumstance and conditions seem to conspire this resistance is swept aside and the devotee no
longer has control of his own movements. This results in a sudden and intense turning of the body
in which the individual takes no conscious part. It frequently only lasts a minute or less and is
terminated by the body being flung to the ground. At this time the other Sufis stand. If or when any
sign of conscious volition on the part of the sufi concerned is detected the dance or attempted
dance is terminated. This hal (state) is credited to the perfection of the spiritual guide of the one
experiencing it. Those experienced in such states know that it can be manifest in different ways
from the one described.
Amongst the Mevlevi, as I understand it, turning is taught even to youngsters as a skill to be
practiced with quite distinct steps and of course the full Sema as performed in Konya is a
complete ritual by no means limited to the turning. However turning is also practised to the
accompaniment of Zhikr and music in the smaller gatherings. During the festival at least I have
observed considerable tolerance by the sufis of people especially non-Turks 'having a go' at this. I
do not suppose that this occurs necessarily at other times but it may do. Certainly the Zhikr
accompanying this is energetic and arousing.
Looking however at the formal ritual as presented in the main Sema in the spor salonu at Konya I
am struck by what appears to me a different approach to the Hal (state). the music is solemn and
stately by comparison with the frenetic energy of the qwaals of India and Pakistan , or even the
Zhikr in smaller gatherings in Turkey. It seems to me that the dancers too may be searching for hal
but in this case it is preceded by the turning and it is perfect turning, or rather the grace that brings
about the hal of perfect turning, that is sought. Since any change of state is not manifested
outwardly as different from the turning of all others it is perhaps reasonable to assume that the hal
is essentially inward. Presumably the discipline lies precisely in maintaining the turning whilst the
state descends.
Zahurmian is reported to have said that the Mevlevi dance was founded on the 'turning' or moving
around of Mevlana during the inspiration when receiving the Mesnevi.
I can only think that as with the Chishti 'turning' the discipline is necessary as a vehicle but is left
behind when the sufi reaches the goal, and that there is no mechanistic relationship between the
discipline and the goal. One may turn for a lifetime and never really know the turning.
It may also be worth reflecting that such states are anyway far from being the goal of sufism and
may be considered as simply being a byproduct. I do not think it is helpful, and indeed it may be a
hindrance, to concentrate much on such things.
However by way of a footnote to this postscript it may be worth pointing out that there is a branch of
modern therapy known as 'sensory integration' which posits that there is a part of the mid-brain
(the deepest and most primitive part of the central nervous system) that is linked to vestibular
stimulation - which incorporates circular spinning. Certainly there are people with learning
disabilities/ intellectual handicaps, and also some children, who avidly seek this particular type of
stimulation. But that, and its relationship to sufi turning, is, so speak, an article waiting to be written.
JMZ
Published by The Zahuri Sufi Web Site January 2002